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“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
观众心声
周末回家没啥事，就拉我妈一起去电影院看了这部。本来还担心她会觉得无聊，结果她看得比我还投入，散场了还一直在跟我讨论剧情。回家的路上她说了句"拍得挺好"，要知道我妈平时对影视剧的评价最多就是"还行"，能让她说出"挺好"两个字已经很不容易了。就冲这一点，这片子在我心里直接加分。
代入感极强，仿佛自己也走进了故事之中，和角色一起经历一切。
节奏把控精准，张弛有度，两个小时的片长一晃而过。
本来想着就看一集睡觉，结果一口气刷了八集天都亮了。真的好久没有这种追剧追到忘记时间的体验了，上一次这样可能还是两三年前。说不上来具体哪里好，但就是有一种魔力，让你看完一集之后手指不受控制地去点下一集。编剧太懂怎么留钩子了，每集结尾都卡在最让人心痒的地方。第二天上班全程靠咖啡续命，但一点都不后悔。
部分演员表演生硬，台词功底不足，严重影响了角色的说服力。